New 2022 Daiwa Infeet Kodachi 40SF lure range in standard and UV Camera: Nikon Z9 Lens: NIKKOR PC-E Micro Nikkor 85mm f2.8D with FTZ adapter. ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/125th second Notes: Trigger: Godox XPro N AND NIKON WR-10 Lighting Flash:  2 x Good AD 300Pro with...

    New 2022 Daiwa Infeet Sazanami lure range in standard and UV Camera: Nikon Z9 Lens: NIKKOR PC-E Micro Nikkor 85mm f2.8D with FTZ adapter. ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/125th second Notes: Trigger: Godox XPro N AND NIKON WR-10 Lighting Flash:  2 x Good AD 300Pro with 50cm Beauty...

    New 2022 colors for the Daiwa Presso 60F range of trout lures Camera: Nikon Z9 Lens: NIKKOR PC-E Micro Nikkor 85mm f2.8D with FTZ adapter. ISO: 64 Exposure Mode: manual Aperture f11 Speed: 1/125th second Notes: Trigger: Godox XPro N AND NIKON WR-10 Lighting Flash:  2 x Good AD 300Pro with 50cm...

    Soft plastic lures especially the new generation of super flex plastics, like the new Daiwa Baitjunkie Kikker Curly, create new challenges. Soft plastic lures can be a real challenge to get them all looking straight and all appendages in the same angle, not only that, they attract every possible bit of dust...

      Soft plastic lures especially the new generation of super flex plastics, like the new Daiwa Steez Softshell, create new challenges. Lures  like creature baits can be a real challenge to get them all looking straight and all appendages in the same angle, not only that, they attract every possible bit of...

  Spinnerbaits are one of those lures that are just a real challenge to photograph. With highly reflective blades and silicone skirts that move all by themselves, they require a lot of patience and DIY staging to make them all hang and present evenly. Camera: Nikon Z7 Lens: NIKKOR PC-E Micro Nikkor 85mm f2.8D...

      Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. Before the setup these lures need a real thorough clean, UV lights reveal event the slightest bit of dust, finger print or oil from...

  In the past 18 months Ive been shooting thousands of lures, the addition early last year to the studio wass UV Spectrum Studio Lights, not UV glow which is where lures glow luminous green, but UV reactive, this is where paint changes colour under specific UV. These types of lures have become incredibly...

    There’s a bit of history to this lure for me, originally released in the early part of the 2000’s as the TD Minnow, I first shot these lures on a Nikon D2X with the first version of the PC Micro Nikkor 85mm f2.8D. This was Nikons flagship camera at that time, 12...

    Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. Before the setup these lures need a real thorough clean, UV lights reveal event the slightest bit of dust, finger print or oil from skin....

    Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. Before the setup these lures need a real thorough clean, UV lights reveal event the slightest bit of dust, finger print or oil from skin....

    Shooting lures as standard images and also as UV spectrum, not UV glow, isn’t that simple but with all of planning and setup its done quite quickly. The difficult part was I needed to photograph the lures with twin studio lights and at the same time take the next image with UV...